Gorgeously diverse retro-rock tunes
At first glance you realise this EP hasn't got a hope in hell. Grassroots production with influences as diverse as country, Americana, pop and blues-rock means that it can't be pinned down or labelled in that typical industry manner. But once you get over any prior expectations, it's easy to really enjoy Sweet James' music for what it is – low-key acoustic rock with gorgeous harmonies that leaves a feeling of pure joy in its creation.
Opener 'Better For The Crime's falsetto start may be slightly offputting but belies the rest of the EP's melodic sense. Bear with it, and the guitars crank up the volume gradually, building into a backing sound that effortlessly blends together in the mix. Or if that's not your cup of tea, try the remix that highlights the beautiful acoustic moments better. Randy James' vocals are probably the 'marmite' that divides the album – you either love them or flinch at the idea. Either way, they're perfect for the music and harmonies in the same way that Tom Petty makes his music distinctive.
'Get On Something Good' epitomises hope, joy, and everything that's good about retro-rock. Taking inspiration from Southern Rock and psychadelia, it blends its harmonies seamlessly into something modern and relevant. We up the tempo with 'The Wanderer', which introduces more country rock in the harp playing, but is probably the most generic track here and not particularly suited to James' voice, as fun as it is. We return from that random detour into irrelevance to more Heartbreakers-esque good-times retro-rock and roll with 'Movin' On'.
The hardest part is to admit that it won't break much ground here in the UK, despite showcasing some excellent musicianship and decent tunes. 'Multitrack Drifting' deserves better, and goes to show that any niche genre of music can survive purely on passion. So if heartfelt barroom alternative rock is your thing, give Sweet James a chance.