7

Interesting new album from Chile's answer to Franz Ferdinand

Regarded as the favourite band of Glaswegian indie troupe Franz Ferdinand, Panico have since risen to cult fame in their native South American country. Although they are now primarily operating out of Paris, it seems that the Chilean quintet have remained truthful to their musical heritage.

The multi-lingual approach that the band brings to their songwriting is very effective in principle, reflecting upon the diverse cultural identity of the band. However, vocalist Edu's pronunciation of the English language is still indistinct and would benefit substantially from subtitles!

The studio soundscapes that the five-piece have crafted are commendable. Edu and percussionist Squat may be accredited with the creation of 'noises', but these are far from being unwanted sounds and allow for an appealing sonic environment to be generated.

Although slow in development, 'Illumination' eventually blossoms with a pleasing level of energy, acting as an suitable representation of the rhythmically-fuelled compositions that are set to form the remainder of this album. 'Bright Lights' and 'Icon' are both solid tunes, but are certainly nothing that deviates from the typical formulas of the indie genre.

As with many instances during 'Kick', the repetition-reliant 'Reverberation Mambo' will either lure you with its rhythmic consistency or irritate you with the limitations of its three-note guitar riff. Whilst the swooping vocals of 'Algodon' are particularly charming, the overpowering drums prove to be a significant distraction and makes the whole song feel out of proportion, especially when the guitar leads enter and should be taking the spotlight.

'Waka Chiki' is a worthy listen, with Edu delivering his vocals with sharp articulation and entrancing intimacy. Songs like 'Guadalupe' and 'Up Town Boy' illustrate the effectiveness of percussion and the aforementioned noises throughout the album, really building beyond the standard rock formation (guitar/bass/drums combination) that would otherwise leave Panico to be nothing but a generic indie rock band.

The rise in pace for 'I Wanna Be Your Needle' helps to create one of the most excitingly intense features of the album, with the underused backing vocals from bassist Caroline pairing effectively with Edu's reverb-laden voice. 'Distant Shore' eases into life with a hypnotic mood and strong meditative qualities, proving that the Chilean band cannot be accused of being a one trick pony. The drifting vocal melodies and mind-warping guitar bends are wonderfully suggestive of Pink Floyd, making this an understated highlight of Panico's album.

'Kick' may not necessarily be groundbreaking material, but the evident cultural qualities do make this an entertaining album in places. A tolerance for repetition is a prerequisite, but do not let this discourage you from giving Panico's latest offering a listen.